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by Brandon LaBelle

  • ISBN: 1628923520
  • Author: Brandon LaBelle
  • ePub ver: 1303 kb
  • Fb2 ver: 1303 kb
  • Rating: 4.1 of 5
  • Language: English
  • Pages: 376
  • Publisher: Bloomsbury Academic; 2 edition (January 29, 2015)
  • Formats: doc lrf mobi txt
  • Category: Other
  • Subcategory: Humanities
epub Background Noise, Second Edition: Perspectives on Sound Art download

Brandon LaBelle is an artist and writer working with sound culture and locational identities. His previous book, Background Noise: Perspectives on Sound Art, was published in 2006 by Bloomsbury Academic.

Brandon LaBelle is an artist and writer working with sound culture and locational identities. He is currently Professor at the National Academy of the Arts in Bergen, Norway. Библиографические данные.

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The print version of this textbook is ISBN: 9781628923520, 1628923520.

Brandon LaBelle is a sound artist and writer from Los Angeles

Brandon LaBelle is a sound artist and writer from Los Angeles.

LaBelle, Brandon - Background Noise No OC. Documents Similar To Background noise-Perspectives on sound art - Brandon LaBelle. The Supercollider Book - Scott Wilson, David Cottle & Nick Collins.

LaBelle, Brandon - Background Noise No OCR. Salome Voegelin - Aural Intimacy. Kane, Brian - Sound Unseen. Uploaded by. Juan Carlos Mendex.

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perspectives on sound art. by Brandon LaBelle. Includes bibliographical references and index. Perspectives on sound art. Published 2006 by Continuum International in New York. Modern Arts, Performance art, Site-specific art, Sound in art, History and criticism, Sound (Philosophy), Avant-garde (Music), Musique concrète, History. Classifications. Country of Publication.

Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art.

At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible.

This second expanded edition includes new chapter about the future of sound art, revisions to the text as well as a new preface by Brandon LaBelle. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies, and media theory, Background Noise makes the case that sound art should be at the core of contemporary culture.

Comments (2)

Steelcaster
Used for Audio Class. Very Interesting book. Good Service from sender.
BoberMod
Very good!

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