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by Christine Brooke-Rose

  • ISBN: 0521391814
  • Author: Christine Brooke-Rose
  • ePub ver: 1206 kb
  • Fb2 ver: 1206 kb
  • Rating: 4.6 of 5
  • Language: English
  • Pages: 320
  • Publisher: Cambridge University Press; y First printing edition (January 25, 1991)
  • Formats: azw lrf txt doc
  • Category: Other
  • Subcategory: Humanities
epub Stories, Theories and Things download

Stories, Theories and Things. Vechinski, Matthew James 2016. Christine Brooke-Rose and the Science of Fiction: Rethinking Conceptual Writing and Artificial Intelligence inXorandor. Critique: Studies in Contemporary Fiction, Vol. 57, Issue.

Stories, Theories and Things.

Christine Brooke-Rose (Author). ISBN-13: 978-0521102728

Christine Brooke-Rose (Author). ISBN-13: 978-0521102728. Although Brooke-Rose compares with anybody in her mastery of every aspect of modern literary theory, and in the highly professional character of her own contributions, she always writes in a distinctively personal way. There are some remarkably fine things in this collection.

Stories, Theories and Things book. The novelist and critic Christine Brooke-Rose reflects.

Christine Frances Evelyn Brooke-Rose (16 January 1923 – 21 March 2012) was a British writer and literary critic, known principally for her later, experimental novels. Christine Brooke-Rose was born in Geneva, Switzerland to an English father and American-Swiss mother. She was brought up mainly in Brussels, and educated there, at Somerville College, Oxford and University College, London. CHRISTINE BROOKE-ROSE

Stories, theories and things. CHRISTINE BROOKE-ROSE. The right of the. University of Cambridge to print and sell all manner of books was granted by Henry VIII in 1534. The University has printed and published continuously since 1584. Cambridge university press. This book is about both literary theory and creativity; that is, it mostly contains chapters that were originally asked of me as critic and teacher, but also a few that were asked of me as critic and novelist (1, 3, 10, 11, 18, see Acknowledgements below). I believe they are deeply connected, and have considerably reworked most of them as well as added to them to bring this out, and make a coherent, continuous book. by Christine Brooke-Rose.

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Thomas C. Heller & Christine Brooke-Rose (ed. - 1986 - Stanford University Press. Introduction: How to Do Things with Stories. Hilde Lindemann Nelson - 1997 - In Hilde Lindemann (e., Stories and Their Limits: Narrative Approaches to Bioethics. W. V. QUINE (e. - 1981 - Harvard University Press. The Stories of Nico and Brooke Revisited: Toward a Cross-Disciplinary Dialogue About Teaching and Learning. S. Oh & D. H. Jonassen - forthcoming - Mind. The Trouble with Harry.

Preface; Acknowledgements; Part I. Theories as stories: 1. Stories, theories and things; 2. Whatever happened to narratology?; 3. Is is, is id?; Part II. Stories and style: 4. A for but: Hawthorne's 'The Custom-House'; 5. Ill locutions; 6. Ill logics of irony; 7. Ill wit and sick tragedy; 8. Cheng Ming Chi'I'd; 9. Notes on the metre of Auden's The Age of Anxiety; Part III. Theories of stories: 10. Fiction, figment, feign; 11. Which way did they go?

The novelist and critic Christine Brooke-Rose reflects on her own fictional craft and turns her well-developed analytic abilities on other writers fictional and critical, from Hawthorne and Pound to Bloom and Derrida, in an attempt to investigate those difficult border zones between the "invented" and the "real." The result is an extended meditation, in a highly personal idiom, on the creative act and its relation to modern theoretical writing and thinking. Like her fiction, Professor Brooke-Rose's criticism is self-consciously experimental, trying out and discarding ideas, adopting others. Her linguistic prowess, her uncommon role as a recognized writer of fiction and theory, and the relevance of her work to the feminist and other modern movements, all contribute to the interest of this unusual sequence of essays. Christine Brooke-Rose, formerly a professor at the Université de Paris, and now retired, lives in France. She is the author of several works of literary criticism and a number of novels, including Amalgamemnon and Xorander.

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