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by R. Bruce Elder

  • ISBN: 0889209561
  • Author: R. Bruce Elder
  • ePub ver: 1288 kb
  • Fb2 ver: 1288 kb
  • Rating: 4.3 of 5
  • Language: English
  • Pages: 502
  • Publisher: Wilfrid Laurier University Press; First Edition edition (January 1, 2006)
  • Formats: rtf txt azw mobi
  • Category: Art
  • Subcategory: Photography & Video
epub Image and Identity: Reflections on Canadian Film and Culture (Film and Media Studies) download

Elder's study seeks to perform a contextual redress for Canadian film, negatively in the case of documentary cinema and . Image and Identity at its best is intoxicated with its subject and can take a reader straight into it.

Elder's study seeks to perform a contextual redress for Canadian film, negatively in the case of documentary cinema and realist fiction film, positively in the case of the avant-garde. He manages this task admirably, arguing clearly and in depth as a scholar fully conversant with the exemplary recent work in Canadian studies by Armour and Trott and by Wilden, Reid, and Kroker, and with the original sources their writing explores. Bart Testa University of Toronto Quarterly, Fall 1990).

In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion

Image and Identity: Reflections on Canadian Film and Culture (Toronto and Waterloo: The Academy of Canadian Cinema and Wilfrid Laurier University Press, 1988). The Body in Film (Toronto: Art Gallery of Ontario, 1989)

Image and Identity: Reflections on Canadian Film and Culture (Toronto and Waterloo: The Academy of Canadian Cinema and Wilfrid Laurier University Press, 1988). The Body in Film (Toronto: Art Gallery of Ontario, 1989). A Body of Vision: Representations of the Body in Recent Film and Poetry (Waterloo: Wilfrid Laurier University Press, 1997). The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson (Waterloo : Wilfrid Laurier University Press, 1998).

The Canadian Film Institute’s Film Study Collection – A Catalogue of. .Image and Identity: Reflections on Canadian Film and Culture. On Reflection – an Autobiography. Origins and Uses of Love in the Cinema of Francois Truffaut, The.

Canadian Filmmakers Distribution Centre Twentieth Anniversary Catalogue 1988. Canadian Filmmakers Distribution West Catalogue 1983. Incontri Internazionali del Cinema – Incontro con il Cinema Canadese.

Author Marusya Bociurkiw. Author R. Bruce Elder. The Gendered Screen: Canadian Women Filmmakers. Author Wilfrid Laurier University Press. Canadian Television: Text and Context. Programming Reality: Perspectives on English-Canadian Television. Harmony and Dissent: Film and Avant-garde Art Movements in the Early Twentieth Century. The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers

Synoptic studies of culture contact manifest an implicit model of cultural and demographic replacement and a discontinuity in indigenous identity.

January 1990 · University of Toronto Quarterly. Synoptic studies of culture contact manifest an implicit model of cultural and demographic replacement and a discontinuity in indigenous identity. This model reflects a preoccupation with settler colonies, yet many culture contact relationships have developed in the absence of colonialism argued that colo-nialism itself was often the means whereby indigenous identity was maintained, not extirpated.

Image and Identity: Reflections on Canadian Film and Culture (Toronto and Waterloo: The Academy of Canadian Cinema and Wilfrid Laurier University Press, 1988). The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson (Waterloo : Wilfrid Laurier University Press, 1998)

Personal Name: Elder, Bruce (R. Bruce). Publication, Distribution, et. Waterloo, On. Canada. Wilfrid Laurier University Press, in collaboration with the Academy of Canadian Cinema & Television, (c)1989.

Personal Name: Elder, Bruce (R. Bibliography, etc. Note: Includes bibliographical references (p. 451-465) and index. Corporate Name: Academy of Canadian Cinema & Television. Rubrics: Motion pictures Canada History Motion pictures and the arts Experimental films Culture in motion pictures.

Image and Identity: Reflections on Canadian Film and Culture R. Bruce Elder,Academy of Canadian Cinema & .

Все результаты Поиска книг Google Об авторе (1985).

Image and Identity: Reflections on Canadian Film and Culture. Shot/Countershot: Film Tradition and Women's Cinema. Princeton University Press, 1989. Waterloo, Ontario: Wilfred Laurier University Press, 1989. Erens, Patricia, ed. Issues in Feminist Film Criticism. olis: Indiana University Press, 1990. Film-makers' Cooperative Catalogue, no. 7. New York: Film-makers' Cooperative, 1989.

What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live?

In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context.

Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception.

The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder’s razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.


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